I'm sure you are all very aware with the craze of Instagram that is taking over social networking sites everywhere with inventive posts of beautifully sepia-coloured food, shoes, coffee and railings. Wheras most people rave about it, I find it simply funny, and have based my concept project of virtual/reality on making a mockery of this application. And ever so slightly one of my teachers inane use of it.
My initial aim was to create 3D box versions of typical Instragram photos complete with filter, boarder and tags. Our work had to bring something from the virtual world into the real world and then post it back online for all to see. However, I soon came across problems such as painting a filter on plastic and getting it to look remotly Instagram-y. And so in response to this I decided to bring the box to the enviroment I was recreating instead of trying to do a miniture version of the area in the box. It isn't the most well made thing in the world, but it's all about the idea behind it not the final piece.
I am still yet to add more to this as I am due to go on a trip to Liverpool. Here I can perfectly recreate an image my teacher has taken (tags and all) by going to the place in which it was took and putting the filter over it, I will then leave it there for people to look at (most likely wonder what on earth it is) and then realise quite how silly this whole concept of taking photos of cups, food and shutters is.
No offence is intended, all a bit of fun, I sincerely hope my teacher doesn't kill me, or I get kicked out of the exhibition in which I plan to add this filter too...maybe I'll just take a quick photo of it.
I wanted to take photos of the boxes via Instagram...but we don't all have swanky Iphones and Androids. Conformists.
The photo I chose to recreate.
It looked much better in person I promise. The idea of leaving your art to become part of the landscape is really interesting!
A second photo I chose to recreate, a close up of artwork in the 2012 Liverpool Biennial.
I constructed another box and put it over the artists work. Think of it as an unwilling colaboration. I made sure not to damage the artists actual work! I left it up for all to see in the Biennial, now many 18 year old art students can say they have their work up there though.
I do hope the artist wasn't upset.